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“Curatorial Feelings<\/em>\u00a0is a book that collects arts practitioner Eloise Sweetman\u2019s writing from the past decade\u2014written on the occasion of exhibitions she curated, written on and\u00a0for\u00a0<\/em>individual artworks, as well as for public talks. Sweetman often wrote while, and not before, the artworks were on view. The time of retrospection, and of being with artworks, imbues her language. Moving between prose and poetry, impressions and reflections, coursing through the writing is a commitment to senses, to subjectivity, to social responsibility.\u00a0Sweetman\u2019s writing contributes to a genre of curators\u2019 writing that takes things to heart, that takes things personally. Calling out her \u2018curatorial feelings\u2019 juxtaposes and unites the two modes of engagement: as a curator and as a sentient being. Curatorial feelings foreground subjectivity, intuition, senses, and belief systems, while pushing for new art historical narratives and an ethical professionalism”. – From\u00a0Introduction to feelings: Taking things to heart\u00a0<\/em>by Jo-ey Tang in \u2018Curatorial Feelings\u2019<\/strong><\/p>\n Sweetman writes to the work of\u00a0Malin Arnell, Gwenneth Boelens,\u00a0Katarzyna Kobro,\u00a0Charlotte Posenenske, Miyeon Lee, Arin Rungjang, Jo-ey Tang, and Katie West<\/strong>\u00a0while connecting back to exhibitions at Shimmer in Rotterdam, The Netherlands; Kr\u00f6ller-M\u00fcller Museum in Otterlo, The Netherlands; Monash University, Melbourne, Australia; and Treignac Projet Treignac, France<\/strong>. The author shares digital and film photography and process material from exhibitions with\u00a0Zarouhie Abdalian, Ruth Buchanan, Sofia Caesar,<\/strong>\u00a0Theo van Doesburg, Marcel Duchamp, Ian Kiaer, Lee Kit, Liu Chao-tze,<\/strong>\u00a0Ma Qiusha,\u00a0K.R.M. Mooney, Elena Narbutait\u0117, Kate Newby, Shanta Rao,\u00a0Himali Singh Soin & David Soin Tapperser,\u00a0and Louwrien Wijers<\/strong>.<\/p>\n Born in Western Australia, ELOISE SWEETMAN is an arts practitioner committed to engendering moments and spaces where intergenerational audiences can come together with art, along with the various ways such encounters come about, and how communities arise from such meetings. A common thread in her practice is to deliberately engage in hospitality and reconcile the responsibility of putting exhibitions, texts, talks, events into the world. Her practice intertwines the group exhibition format with a strong emphasis on event-based programming and working within diverse organisational contexts from the Biennale to glasshouse, from the observatory to artist-run space. Sweetman\u00a0is part of LAPS’ Knowledge Network, read more about her research practice here<\/a>.<\/p>\n Curatorial Feelings\u00a0<\/em>is designed by Dongyoung Lee and published by Shimmer Press, Rotterdam. “Curatorial Feelings\u00a0is a book that collects arts practitioner Eloise Sweetman\u2019s writing from the past decade\u2014written on the occasion of exhibitions she curated, written on and\u00a0for\u00a0individual artworks, as well as for public talks. Sweetman often wrote…<\/span><\/p>\n","protected":false},"author":2,"featured_media":6348,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4,271,434],"tags":[],"language":[],"class_list":["post-6347","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-publication","category-research"],"acf":[],"_links":{"self":[{"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=\/wp\/v2\/posts\/6347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6347"}],"version-history":[{"count":3,"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=\/wp\/v2\/posts\/6347\/revisions"}],"predecessor-version":[{"id":6351,"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=\/wp\/v2\/posts\/6347\/revisions\/6351"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=\/wp\/v2\/media\/6348"}],"wp:attachment":[{"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6347"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6347"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6347"},{"taxonomy":"language","embeddable":true,"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=%2Fwp%2Fv2%2Flanguage&post=6347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nThe publication is supported by LAPS, Gerrit Rietveld Academie, Amsterdam, The Netherlands; Droom en Daad, Rotterdam, The Netherlands; Stichting Stokroos, Utrecht, The Netherlands; Mondriaan Fonds, Amsterdam, The Netherlands.<\/p>\n","protected":false},"excerpt":{"rendered":"