{"id":6326,"date":"2021-10-27T15:01:52","date_gmt":"2021-10-27T15:01:52","guid":{"rendered":"https:\/\/laps-rietveld.nl\/?p=6326"},"modified":"2021-10-27T15:01:52","modified_gmt":"2021-10-27T15:01:52","slug":"jane-jin-kaisen","status":"publish","type":"post","link":"https:\/\/laps-rietveld.nl\/?p=6326","title":{"rendered":"Jane Jin Kaisen"},"content":{"rendered":"<p><strong>Jane Jin Kaisen\u2019s<\/strong> (Jeju Island, South Korea) \u2018Community of Parting\u2019 is a reframing of the Korean shamanic myth of Princess Bari, who was abandoned at birth for being born a girl and becomes the goddess who mediates the threshold of the living and the dead. It includes the stories of South Korean, North Korean, and diasporic women while they negotiate gender biases, colonialism, modernity, and war. Kaisen relates the princess to the contemporary female shamans who gather the living, the dead, and the spirits. The artist uses similar rituals to call on us to \u00a0witness the radical ruptures and unfinished narratives in historyhistories.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-6327\" src=\"https:\/\/laps-rietveld.nl\/wp-content\/uploads\/2021\/10\/Community-of-Parting_Jane-Jin-Kaisen_Kunsthal-Charlottenborg_013_Photo-by-David-Stjernholm.jpg\" alt=\"\" width=\"460\" height=\"307\" srcset=\"https:\/\/laps-rietveld.nl\/wp-content\/uploads\/2021\/10\/Community-of-Parting_Jane-Jin-Kaisen_Kunsthal-Charlottenborg_013_Photo-by-David-Stjernholm.jpg 2500w, https:\/\/laps-rietveld.nl\/wp-content\/uploads\/2021\/10\/Community-of-Parting_Jane-Jin-Kaisen_Kunsthal-Charlottenborg_013_Photo-by-David-Stjernholm-430x287.jpg 430w, https:\/\/laps-rietveld.nl\/wp-content\/uploads\/2021\/10\/Community-of-Parting_Jane-Jin-Kaisen_Kunsthal-Charlottenborg_013_Photo-by-David-Stjernholm-1024x683.jpg 1024w, https:\/\/laps-rietveld.nl\/wp-content\/uploads\/2021\/10\/Community-of-Parting_Jane-Jin-Kaisen_Kunsthal-Charlottenborg_013_Photo-by-David-Stjernholm-768x512.jpg 768w, https:\/\/laps-rietveld.nl\/wp-content\/uploads\/2021\/10\/Community-of-Parting_Jane-Jin-Kaisen_Kunsthal-Charlottenborg_013_Photo-by-David-Stjernholm-1536x1025.jpg 1536w, https:\/\/laps-rietveld.nl\/wp-content\/uploads\/2021\/10\/Community-of-Parting_Jane-Jin-Kaisen_Kunsthal-Charlottenborg_013_Photo-by-David-Stjernholm-2048x1366.jpg 2048w, https:\/\/laps-rietveld.nl\/wp-content\/uploads\/2021\/10\/Community-of-Parting_Jane-Jin-Kaisen_Kunsthal-Charlottenborg_013_Photo-by-David-Stjernholm-225x150.jpg 225w\" sizes=\"(max-width: 460px) 100vw, 460px\" \/><\/p>\n<p>Jane Jin Kaisen, \u2018Community of Parting\u2019, 2019. Film, 72.13 min. Installation photo Kunsthal Charlottenburg, David Stjernholm.<\/p>\n<p>Kaisen is an artist and Professor at the School of Media Arts at the Royal Danish Academy of Fine Arts. She holds a PhD in artistic research from the University of Copenhagen. Kaisen represented Korea at the 58th Venice in 2019 and was awarded \u201cExhibition of the Year 2020\u201d by AICA &#8211; International Association of Art Critics, Denmark for her exhibition \u2018Community of Parting\u2019 at Kunsthal Charlottenborg. She has participated in the bienniales of Liverpool, Gwangju, Anren, Jeju, among others. Other recent exhibitions include \u2018Community of Parting\u2019 at Art Sonje Center; \u2018Of Specters or Returns\u2019 at Gallery damdam; \u2018Frequencies of Tradition\u2019 at Times Museum Guangzhou; \u2018A Mechanism Capable of Changing Itself\u2019 at Forum Expanded, the 68th Berlin International Film Festival; \u20182 or 3 Tigers\u2019 at Haus der Kulturen der Welt in Germany; \u2018Asian Diva: The Muse and the Monster\u2019, Buk Seoul Museum of Art; \u2018Art Spectrum 2016\u2019 at the Leeum Samsung Museum of Art and \u2018Interrupted Survey: Fractured Modern Mythologies\u2019 at Asia Culture Center.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jane Jin Kaisen\u2019s (Jeju Island, South Korea) \u2018Community of Parting\u2019 is a reframing of the Korean shamanic myth of Princess Bari, who was abandoned at birth for being born a girl and becomes the goddess<span class=\"ellipsis\">&#8230;<\/span><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[839],"tags":[],"language":[],"class_list":["post-6326","post","type-post","status-publish","format-standard","hentry","category-artist-profile"],"acf":[],"_links":{"self":[{"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=\/wp\/v2\/posts\/6326","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6326"}],"version-history":[{"count":1,"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=\/wp\/v2\/posts\/6326\/revisions"}],"predecessor-version":[{"id":6328,"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=\/wp\/v2\/posts\/6326\/revisions\/6328"}],"wp:attachment":[{"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6326"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6326"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6326"},{"taxonomy":"language","embeddable":true,"href":"https:\/\/laps-rietveld.nl\/index.php?rest_route=%2Fwp%2Fv2%2Flanguage&post=6326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}